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True story: at the RMFW conference this year, I bumped into my good friend Mark Stevens, an award-winning author and host of the Rocky Mountain Writer podcast. Somehow, we got to talking about weird musical instruments.
I’ve just started playing one of the weirdest of all, the theremin. It’s the original electronic instrument, one that you play just by waving your hands at it. It’s been featured in plenty of old black and white science fiction movies.
Mark was like, “Why don’t you play it on our podcast?”
And I was like, “Wow! That’s a terrifying idea! Let’s do it!”
(And also, somewhere in there, we talked about my writing, too.)
What if that trick could help you organize your thoughts, get started sooner, and finish every writing project, from a blog post to a novel?
There is such a trick. And as a full-time writer, I use it every day.
Find out what it is on Fiction University.
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Are you going to the RMFW Colorado Gold 2018 conference?
Don’t miss this chance to pick my brain about all things related to urban fantasy, writing action scenes, and creating monsters.
Here’s where you can find me:
Birds of a Feather: Urban Fantasy panel
Saturday 10am | Winter Park
What exactly is urban fantasy? What makes it different from paranormal romance? What are the newest and most exciting urban fantasy trends to watch? Panel hosted by yours truly.
How to Write Kick-Ass Action Scenes
Sunday 10am | Durango
Do you struggle with writing fight scenes or chases? Believe it or not, writing kick-ass action is easy—if you know how. In this workshop, you’ll learn the 6 secrets to writing action scenes that make your readers break out in a sweat. Get the Action Scenes worksheet here.
7 Secrets to Writing Bloodcurdling Monsters
Sunday 11am | Durango
Science fiction, fantasy and horror stories are full of monsters. One of a writer’s toughest jobs is creating creatures that are both gripping and original. In this workshop, you’ll master the seven secrets to writing truly unforgettable monsters. Get the Creating Monsters worksheet here.
But time is only half of the equation.
The other half is speed.
The faster you write, the faster you will finish your story or novel and get it published.
Can you learn how to write twice as fast, without sacrificing quality?
Yes. I’ve done it, and so can you.
Recently, I received an email from a teen writer who had decided to write a novel, but she was struggling to find the time.
Between school, homework, music lessons, and other commitments, she didn’t know when she would actually be able to write.
But she was smart to ask for help. She had three specific questions:
1. How can I find enough time for writing?
2. How do I know if my novel idea is any good?
3. If I finish my novel, and nobody wants to read it, what should I do?
Here’s what I told her:
How do you, as a writer, build a new world that fascinates your readers, draws them in, and makes them want to come back for more?
If you write fantasy, science fiction, or horror, you need to do your world building the right way.
I’ve revealed the shortcuts and tips you should use — and the pitfalls you must avoid — over at Fiction University.
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Readers may be intrigued by a good plot.
But if your characters are interesting, readers will remember them long after they close the book.
It can be tough to create fully fleshed-out, three-dimensional characters.
P.S. Get more free writing tips when you subscribe to my author newsletter.
One day, almost exactly 10 years ago, I walked into a bookstore in Hawaii and discovered something fascinating.
It was an overly large magazine, with big glossy pages that flopped over in the humid air, and it was chock-full of articles on how to write. The magazine was called Writers’ Forum.
It was from the UK, a long way away.
At the time, I was an angsty aspiring writer, so of course I devoured that magazine cover to cover, hunting for advice I could use to become a real author. I decided that someday, I wanted to see my name published in that magazine.
But was my writing good enough? I suspected not. At least not yet.
Little did I know what was about to happen next. Continue reading
As you write, you’ll discover that certain facts don’t fit together anymore.
Maybe a character needs to be changed or removed.
Maybe you find a plot hole big enough to drive a Mack truck through.
Somewhere, in the inner workings of your story, something has gone awry.
You need to fix it, or you’ll have a big problem on your hands.