Posts Tagged With: author interview

Ghost Towns, Tarantulas, and a Million Dollars Cash

Thriller Author Interview

with Yours Truly

Just did a revealing interview about the truth behind ghost towns, cash-sniffing border patrol dogs . . . and even a tarantula migration.

True story.

Check out my latest stop on the book tour for The Spider Thief, at the outstanding Omnimystery News, where editor Lance Wright presents the exclusive inside scoop on mystery books, games, TV shows, and film.

Click here to get the interview at Omnimystery News >

And one more thing . . .

You can still get The Spider Thief, Part 1: Stolen Memory for FREE when you join my author newsletter. >

 

 

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12 Bestselling Authors Taught Me This

The light bulb moment

The light bulb moment for me was meeting an African storyteller and learning the universal truth of story.

Over the years, I’ve interviewed dozens of bestselling authors — and they all had the same advice.

I’ll tell you what it is in this interview at the Littleton Writers Critique Group.

I’ll also reveal the surprising advice my literary agent gave me . . . the “old school” trick to stop procrastinating and get more done . . . and the secret to writing every day.

Plus, I’ll talk about the African storyteller who taught me the key to writing a good story.

And I’ll even share the hidden formula to every story ever told — no kidding.

Click here to read the interview on the Littleton Writers Critique Group website >

What was your “light bulb moment”? Leave a comment!

Don’t forget to join my mailing list — you’ll get free e-books and other cool stuff in your email. Just click here.

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Where does Neil Gaiman get his ideas?

Where do you get your ideas?

Need inspiration? Think small. The monster in my next book was inspired by an electron microscope.

Every writer gets asked about ideas. Where do they come from? How do you find them? What inspires you?

Uber-cool author Neil Gaiman suggests that you should ask yourself questions and start filling in the blanks:

– What if ___ ?
– If only ___ .
– I wonder what/why ___ .
– Wouldn’t it be interesting if ___ .

A classroom full of seven-year-olds once asked him, “Where do you get your ideas?”

Here’s what he told them:

“You get ideas from daydreaming. You get ideas from being bored. You get ideas all the time. The only difference between writers and other people is we notice when we’re doing it.”

Finding ideas in weird places …

I often find ideas in images. Last night, I realized that my new novel needs a super-creepy H. P. Lovecraft-ish creature. You know, something with flailing tentacles and far too many eyeballs.

But where could I find something like that, and still be fresh and original?

Try an electron microscope. I’ve found that its images often have a creepy, otherworldly look to them. So I browsed through an archive of super-magnified pictures of bugs (not something I recommend doing just before bedtime).

Eventually, I hit paydirt. An image of a wolf spider’s foot. Unlikely, maybe — but freaky!

So where do you get your ideas?

(Source: http://www.neilgaiman.com)

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SF author Laura E. Reeve tells it like it is

It’s always a pleasure to feature a Colorado science fiction author, and Laura E. Reeve is no exception.  Fans of David Weber or Jack Campbell will enjoy her military science fiction series about flawed but likable pilot Major Ariane Kedros.  Her latest book, Pathfinder, just came out this summer and is in stores now.

Sci Fi Bookshelf:  For those who haven’t picked up a Major Ariane Kedros novel yet, how would you describe the series?

Laura E. Reeve:  Military-flavored SF Adventure.  The heroine, Reserve Major Ariane Kedros, had her identity erased by the government for her own protection, due to her missions during the war. She now has a civilian job as pilot and explorer, but still undertakes Intelligence assignments–always dangerous, because not everyone supports the “new peace.” She also has to deal with wartime guilt and sometimes, against her own inclinations, she has to help old enemies.

SFB:  What authors are your biggest influences?

LER:  C.J. Cherryh fascinates me with her ability to spin alien mindsets and complex politics. Perhaps she even affected me subliminally; I only recently realized I used the same main character name she used in her Cyteen books, which I’d read years ago. Other SF/F writers I like who might have influenced my writing are Dan Simmons (irresistible subplots and character agendas), David Brin (dolphin space explorers–genius!), Vernor Vinge (suspenseful plots), Joan D. Vinge (riveting character conflict), and Marian Zimmer Bradley (because, in the end, it’s about characters and story).  At the least, I hope some of these authors’ skills have rubbed off on me.

SFB:  What’s your favorite part about the writing process?

LER:  I love editing most, by far, because the blank page is still intimidating to me. I also have the problem that I have to write sequentially, to know what each character has been through up to that point–which makes my first drafts pretty painful. However, once I have something to work with, I’m in heaven. I can add scenes, tighten connections between plot/subplot points, enhance characters, and “mine” for more conflict.

SFB:  What are you working on next?  Any more Major Ariane Kedros novels coming up?

LER:  My publisher (Penguin/Roc) wants to wait and see how well the Kedros series does, before contracting me for more books in that series.  I’m okay with that, since they paid for my editor, copyeditors, artists, formatting, printing, distribution, marketing, etc., and there’s such a lag time in determining how well books sell these days. So I’m reworking some of my traditional fantasy and we’ll see how that floats…

SFB: Do you have any advice for new writers today?

LER:  Persevere, but remain flexible. Most writers understand perseverance; finish your work and keep pitching it, right? Agreed. But understand the market and keep moving beyond the one beautiful manuscript you’re trying to sell. I’m not advocating “following the market” or warping a story into something it isn’t. But the ideal flexible writer has several finished manuscripts under his or her belt, and knows what to pitch to whom. An ideal flexible writer also begins working on a different manuscript as soon as the current one is in shape to be submitted.

Note that I said an IDEAL flexible writer, and I’ve got the cautionary tale: In late 2004, my agent said perhaps this wasn’t the “right time” for my traditional fantasy, and it might not be the “first manuscript” I sold. What tactful wording she used! Did I have anything else?  Unfortunately, I’d just spent a year writing a sequel to that manuscript, which was NOT the best use of my time. I made sure to finish the draft I was working on, archived all the information about the world, and put my traditional fantasies on the shelf. I then switched gears, and dug up the beginning chapters of a novel that would eventually become Peacekeeper, my first sale. Now, I’m going back to that first traditional fantasy, editing it, and sending it in. Then I’ll be moving on to a steampunk fantasy that’s been growing in the back of my mind. I’m trying to be more flexible.

SFB:  We’ll keep our eyes open for future books.  Laura, thank you so much for your time!

LER:  Thank you very much.

AUTHOR INFO:
Laura E. Reeve
The Major Ariane Kedros Novels
www.AncestralStars.com

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Wednesdays with David Weber, Part 4

David Weber is author of the New York Times best-selling Honor Harrington novels, as well as a mind-boggling array of other books.  On top of that, he’s a really nice guy who took the time to share a glimpse into his universe.

After a severe injury broke his wrist into 57 pieces several years ago, he started dictating his books using voice-activated software.  Despite this hurdle, David says that he averages better than 200 words per minute.

SciFiBookshelf.com:  Astounding!  David, I salute you.  Do you have any advice for aspiring science fiction writers?

David Weber:  First, write what you enjoy reading. You’ll do a much better job working on something that interests and excites you than you will trying to produce something simply because you think it might sell, even though it isn’t what you’d enjoy reading yourself. In addition, there’s no one out there who is genuinely unique in his or her reading tastes. In other words, if you enjoy reading it, so will someone else, which means there ought to be a market for it somewhere. Second, accept that if you’re going to try to do this professionally you either need to become a production writer — which means those 16-hour days — or you need to have a day job. Third, complete something before you start trying to submit your work. An editor is a lot more likely to buy a story or a novel, even if it needs a substantial amount of work, if that story or novel exists as a completed whole. The last thing any publisher needs is to commit to buy a book from someone who, it turns out, won’t be able to finish it, and it will help a sale immensely if the person thinking about buying the story knows not only that it ends but that the writer is able to provide a satisfactory end. Fourth, choose who you’re going to submit to carefully. Pick a publisher who publishes material similar to whatever it is you’ve written. Don’t try to sell a story about elves and dwarves to somebody who publishes primarily tech-heavy military fiction. Fifth, when you submit, do it in a professional manner. Don’t use the cover letter to tell the editor what your story is about, and — above all! — don’t use it to tell the editor how great the story is. You can include chapter synopses, outlines, and the entire manuscript to do that, and any professional editor is going to resent having someone submitting an unsolicited manuscript explain that manuscript to her. She’ll make her own judgments on its quality, thank you, and you’re more likely to put someone’s nose out of joint by “blowing your own horn” then you are to influence someone into buying your work. Sixth, after you’ve submitted, stay in touch. In your initial submission letter, tell them that if you haven’t heard back from them in a month, you’ll check back with them. Then, when that month has passed, do check back with them, and each time you check with them, tell them when you’ll check with them again. You need to have some idea in your mind about when you’re going to assume that lack of response means there isn’t going to be any response (and that’s likely to happen, maybe several times, when you’re just starting out), and when that time arrives, you need to send a very respectful note to the publisher saying that you’re withdrawing the book for submission elsewhere.

The truth is that only a minority of writers, in any genre, are able to support themselves full-time as writers, and that’s even more the case for science-fiction, I think, than some others, because science-fiction tends to a smaller readership than a lot of other genres. The good news is that if science-fiction’s readership tends to be smallish, it’s also very loyal . If you produce the stories that people want to read, they will repay you many times over by the fashion in which they will buy your books. Even so, it’s difficult to make a living doing this unless you are able to develop a highly successful series/character and are able to sustain a production rate which is rather higher than in some other genres. That’s just the way it is.

Having said that, the aspiring science-fiction writer needs to remember that publishers are in the business of publishing. They need writers to do that, and that means that if you can write, and if you persist long enough in submitting your work, more often than not, you’ll finally get your shot. What happens after that depends in no small part on how well the first few books go.

And before I leave this topic, let me say that the number one, critical, essential, indispensable element in becoming a successful science-fiction author is the ability to tell stories about characters readers care about. Even the hardest of hard-science science-fiction still has to have characters people care about. The most fascinating plot line ever devised will fall flat on its face if the characters are not believable, or if the writing is unable to convince the reader to accept the story. Editors can do a lot to help a neophyte writer improve technical aspects of his or her writing; I don’t believe any editor ever born can teach you how to tell a story. Especially, they can’t teach you how to tell a story in your own voice. Many people I know have failed as writers primarily because instead of telling the story the way they should tell it, they tried to figure out how someone else — some writer they admire, or whose work they like — would tell it. That’s the kiss of death. People don’t want to buy a low-budget pastiche of someone else’s work. A weak story, strongly told, will be far more satisfying to the reader than a strong story weakly told, and a huge part of telling a story strongly is to tell it in your own, recognizable, unique voice, manner, and style. “Your” voice is going to owe a great deal to the voices of other writers you have read, enjoyed, admired. It works that way. We are all products of our experiences, and if some other writer has a strong impact on you, that writer’s work is going to influence your own. You may find yourself integrating stylistic elements from another writer. You may find yourself avoiding something in your writing because you realized that it didn’t work in someone else’s. And no matter how successful you may become as a writer in your own right, I imagine you’ll still find yourself — as I do — reading someone else’s work and going “Gosh! That was really neat, the way he handled that. I’ll have to remember that.” Don’t be afraid to be influenced by others, but never, ever try to become another writer. Learn from their strengths, avoid their weaknesses, but always do it in your own fashion and your own style.

David Weber’s web site:

http://www.davidweber.net/

And that concludes our weekly series of Wednesdays with David Weber!  Many thanks to David and his crew.  If you missed any of our previous interviews segments, you can find them all below, including summer book tour dates!

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Mario Acevedo’s biting sense of humor

Mario Acevedo is one of those rare authors who is so understated, so easygoing, that it’s almost tough to believe that he’s a bestselling author.  Tough, that is, until you pick up one of his vampire books and quickly realize that you can’t put it down.  I met Mario at a book signing recently and somehow talked him into revealing the truth behind his books, rooted in a strange combination of nuclear waste, Charlaine Harris . . . and nymphomaniacs.

SciFiBookshelf.com:  For someone who hasn’t been lucky enough to pick up a Felix Gomez book, how would you describe the series?

Mario Acevedo:  It’s about the adventures of Felix Gomez — Iraq War veteran, detective-vampire, an undead hero with plenty of defects.  His nemeses include rogue vampires, government assassins, alien gangsters, and werewolves.  Along the way he’s helped by tough women, forest sprites, and a ghost. 

SFB:  How do you come up with such zany titles?

MA:  The titles fell into my lap.  Fortunately I had my pants on.

SFB:  Where did you get the inspiration for the series?

MA:  My big secret.  I didn’t like vampire or supernatural stories growing up.  I read mostly straight mysteries or thrillers.  Then I read Charlaine Harris’ Dead Until Dark and I loved how she made the supernatural world her own.  At that time I was working at Rocky Flats and a coworker suggested I write about the place.  Seems that a story about a detective vampire, nymphomaniacs, assassins, and UFOs captured my impression of the nuclear weapons industry.

SFB:  How did you get your “big break” and publish your first book?

MA:  My big break?  Yes, I got published but it still feels like I’m in the middle of the swamp.  But I’m grateful that I’ve gotten this far.  Five novels and a comic book series.

How did I get published?  Mostly luck and timing.  (Backed by seventeen years of writing six manuscripts.) Basically I approached an agent and gave him my elevator pitch…in an elevator.  My Rocky Flats story was wacky enough to interest him and an editor.

SFB:  Do you have any advice for new writers today?

MA:  Nothing different than what others have said better and more eloquently.  Be stubborn about writing.  Keep learning and honing your craft.  Hang on to your faith and dreams.  And don’t buy cheap vodka.

SFB:  Can you tell us a little about the upcoming comic book?  And will there be more?

MA:  The comic book series Killing the Cobra: Chinatown Trollop and is from IDW Pubishing.  The story is a spin off of an incident hinted at in The Nymphos of Rocky Flats.  Between his time in Iraq and Rocky Flats, Felix took down the Chinese Han Cobras heroin merchants.  The comic book tells that adventure.  Lots of treachery, violence, and blood.  And one over-the-top villain.

SFB:  What’s coming up in the future for Felix?

MA:  Hopefully, a lot more adventures.  There are some plot lines I’d like to resolve.

Felix’s new adventure is Werewolf Smackdown, where he goes fang-to-fang against werewolves in Charleston, SC.  Think The Sopranos, only more violent and with lots more hair.

SFB:  Mario, thank you so much for your time!

MA:  Happy fanging!

Find bestselling author Mario Acevedo here:
http://www.marioacevedo.com
http://www.biting-edge.blogspot.com

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Wednesdays with David Weber, Part 3

David Weber is author of the New York Times best-selling Honor Harrington novels, as well as a mind-boggling array of other books.  On top of that, he’s a really nice guy who took the time to share a glimpse into his universe.

SciFiBookshelf.com:  Can you give us any hints about the fifteenth Honor Harrington book, Mission of Honor, coming out this summer?

David Weber:  All I’ll say about Mission at this point is that it wraps up several fairly long-running plot strands but kicks in quite a few brand-new ones. And I’ll also say that the situation is going to get substantially worse for the Manties (in many respects) even as some of their older problems get put to bed. Well, and also that I may have to move to Montana and raise rabbits under an assumed name when some of the readers who have been with me from the very beginning find out some of the things I did in this book. Mind you, I think they’ll all forgive me eventually, but there are going to be some people who are upset.

SFB:  At last count, you’ve written something like 50 books, an impressive number of which have hit the best-seller lists. How do you keep up such a mind-boggling pace?

DW:  I don’t really know, and, for that matter, I don’t know that I can continue to keep it up a lot longer. I’m not getting any younger, you know! Then there are the three children age eight or younger who require a certain degree of Daddy time for maintenance. Mostly, I guess, I manage it because I focus entirely on whatever the job in hand use. My beloved wife Sharon has been known to refer to that as “OCD;” I prefer to think of it as . . . as . . . hmmmmm, I’ll have to get back to you on that one. I do know that I tend to work 16-hour days when I’m into the stretch on a book.

SFB: 
You do a lot of convention appearances. Where will fans be able to find you in 2010? Is there any truth to the rumor that you’ll be doing a book tour this summer?

DW:  June 22 – 27 – Origins Gaming Fair / GAMA – Columbus, Ohio

June 28 – July 4 – Baen Signing Tour for “Mission of Honor” – Stops to be announced on the website

July 21 – July 25 – Wandering around ComicCon (not as a guest)

David Weber’s web site:

http://www.davidweber.net/

Stay tuned for more insights from the magnificent David Weber!

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Why you should read Robert Charles Wilson right now

Author Stephen King (yes, that Stephen King) has said that science fiction author Robert Charles Wilson is “a hell of a storyteller and the geek factor in his books is zero.”  He also said that Wilson is “probably the finest science fiction author now writing.”  If a celebrity endorsement like that doesn’t sway you, then maybe Wilson’s impressive stack of awards will: a Hugo, a John W. Campbell Award, a Theodore Sturgeon Award, a Philip K. Dick Award, and more.  His latest creation, Julian Comstock, is up for a Hugo this year.  The mass-market paperback edition doesn’t hit store shelves until May 25, but we’ve got the inside scoop right here.

SciFiBookshelf: For those who haven’t picked up Julian Comstock yet, how would you describe it?

Robert Charles Wilson:  When I first pitched the book to my editor I said something like “It’s the story of the Roman Emperor Julian the Apostate, set in a post-collapse 22nd-century America and told in the voice of a 19th-century American adventure novel.”  (I think the response was a polite “Um.”)

The title character is a young man and potential heir to the American throne, targeted for assassination by his mad uncle, the reigning president.  Julian is more interested in books and theater than politics — his real ambition is to produce a musical motion picture about the life of Charles Darwin, not an easy thing to accomplish in a quasi-theocratic fundamentalist state — but that only makes him more vulnerable. . .  On one level, the book deals with religion and atheism and the politics of cultural collapse.  On another, it’s about storytelling and history and the interesting things time does with truth.  It’s also pretty funny, or so I intended and so some readers have told me.

SFB:  What are you working on next?  Any behind-the-scenes info you care to share?

RCW:  I’m just finishing up Vortex, the final book in the sequence that began with Spin and continued with Axis.  Vortex has taken me a long time to write, though it’s a shorter book than Julian Comstock.  Among other things, it reveals the nature and goals of the so-called Hypotheticals, the entities that enclosed the Earth in a temporal barrier and linked several habitable worlds by way of their enormous oceanic Arches.  The trick was finding a way to dramatize all this.  Part of the story takes place in the relatively near future, part of it goes way beyond that.

After that (and I should be handing in the manuscript in a month or so), I have another novel planned.  It takes place in a parallel 2015 in which the world has been prosperous and at peace for a hundred years . . . for rather sinister reasons.

SFB:  This is a dangerous question to ask, but always fun:  To date, what has been your most memorable “author” moment (good, bad, or other)?

RCW:  The best (and worst) moments are the unexpected ones.  I was standing in line in a bookstore once when the customer in front of me asked the clerk where the Robert Charles Wilson books were kept, because he wanted all of them.  I couldn’t help introducing myself: “By the way, I wrote those books.”  But the guy didn’t believe me — he asked to see my driver’s license, and I’m not sure he entirely believed me even then.

SFB:  Now that’s funny.  Do you have any advice for new science fiction writers?

RCW: 
“All hope abandon, ye who enter here . . . ”   Well, no, not really.  The state of publishing is in flux at the moment and it’s easy to be pessimistic.  But good new writers keep arriving.  It was great to see Paolo Bacigalupi’s name on the Hugo ballot, for instance.  As long as we continue to attract writers of that caliber, science fiction will be continue to be exciting and fresh.

Configured as advice, I guess that would be:  Be talented.  And be lucky.

Author’s home page:
www.robertcharleswilson.com

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Wednesdays with David Weber, Part 2

David Weber is author of the New York Times best-selling Honor Harrington novels, as well as a mind-boggling array of other books.  On top of that, he’s a really nice guy who took the time to share a glimpse into his universe.

SciFiBookshelf.com:  Honor Harrington is arguably one of the most recognizable characters in science fiction today. She’s smart, driven, an exceptional naval officer and just gosh-darn likable. But like any good hero, she’s not without her flaws. Was there any particular inspiration that led you to create her the way she is?

David Weber:  I don’t know about any particular inspiration in my creating Honor the way she came out. By that I mean that there were so many factors involved in creating this character that I can’t isolate one particular one as having been more important than the others. Her personality represents personal values on my part — the fact that she’s a responsibility taker, the fact that she has a fierce protective streak, the fact that she doesn’t suffer fools gladly, and the fact that she is fiercely loyal both to her principles and to her friends — very much encapsulate traits I find admirable in a human being. Historically, although many people persist in thinking of Horatio Hornblower as her primary template, I really don’t. I think there’s probably more of Thomas Cochrane in her, so she’s probably more of a cousin of Hornblower’s than a descendent, since it’s pretty obvious from reading C. S. Forester that Cochrane was Hornblower’s literary “father.” Neither Hornblower nor Cochrane, however, ever rose to the heights within their own Navy that Honor has within hours, although you could probably make a case (now that I think about it) for her Grayson experience equating, in some wise, to Cochrane’s experiences in the revolutionary Chilean, Peruvian, and Greek navies. That particular resonance wasn’t planned on my part, however. A much better historical equivalent for her would, of course, be Horatio Nelson, and I’ve taken some pains to emphasize that relationship, as people familiar with Nelson’s life will probably realize. At the same time, she most definitely is not Horatio Nelson, second iteration. I think this can be most clearly seen in her approach to her relationship with Hamish Alexander, contrasted to Nelson’s relationship with Emma Hamilton, but she would also have been extremely unlikely to duplicate Nelson’s actions following the Battle of the Nile when he was so focused on the Kingdom of Sicily.

I definitely did not set out to create a female character for the purposes of having a female character. That just worked out that way, just as I’ve produced quite a few strong female protagonists in other books. I will admit that I take a certain pleasure in setting female characters in traditionally male roles, which is probably part of why I did it, but that wasn’t a conscious decision on my part. One thing that I did determine early on was that Honor would rise in rank rather than being caught in the “Jim Kirk” syndrome — in that respect, she was definitely following more in the Nelson mode than in the Cochrane mode. The exact way in which the character evolved into who she is today, however, really wasn’t planned out by me. I very seldom build a character by saying “I need this character to be such-and-so, so I’m going to give him/her this or that characteristic.” I usually start with a very general feel for who and what this person is going to be, and then the character builds naturally in my mind as I began confronting that character with problems that need to be solved. The one thing that I had decided was going to be a part of Honor’s character from the very beginning was the contrast between her total confidence in her professional capabilities and total lack of confidence in certain aspects of her personal life. And I decided from the very beginning to give her Nimitz, although the treecats themselves sort of surprised me by the way they ended up evolving. I had their social structure largely nailed down before I began writing, but their personalities and . . . psychology evolved as I watched Nimitz and Honor interacting.

One thing about Honor and her flaws is that she is a smart, capable person, which means that she makes smart, capable mistakes. Another aspect of her and her flaws is the most of her flaws are the vices of her virtues. I don’t think anyone could ever accuse Honor Harrington of having a mean bone in her body, but her temper’s gotten her into trouble more than once, and several of the decisions she’s made have been questionable at best, even though readers for some reason almost invariably give her the benefit of the doubt. For example, in Honor of the Queen, she sets out to shoot a prisoner without trial. In fact, she does shoot him; she simply misses, because someone shoves her hand aside at the last moment. It’s amazing to me how many people don’t think that was a “mistake” on her part! I think that’s because readers hated her intended victim so much and because they so thoroughly understood (and sympathized with) Honor’s motivation. There are other examples, though, including the one that I actually have Michelle Henke point out about Honor’s almost insanely risky strategy at the end of Echoes of Honor. I had Mike make that point because so many readers seem totally oblivious to it!

David Weber’s web site:

http://www.davidweber.net/

Stay tuned for more insights from the astonishing David Weber!

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Wednesdays with David Weber, Part 1

David Weber is author of the New York Times best-selling Honor Harrington novels, as well as a mind-boggling array of other books.  On top of that, he’s a really nice guy who took the time to share a glimpse into his universe.

SciFiBookshelf.com:  Torch of Freedom is the fourteenth book in the Honor Harrington series. For someone who hasn’t picked up one of your books yet (hard to imagine, I know) would this be a good place to jump on board? Or should a curious reader start with an earlier book?

David Weber:  For the honor Harrington series, I think you almost have to begin with Basilisk Station if you want the full experience of the series. Torch would definitely not be a good place to begin; there are way too many threads already in play by that point. I think someone could probably pick the book up and enjoy it even without that background, but they wouldn’t understand a lot of what was going on. I think that any of the first four or five books in the series — up through, say, Honor Among Enemies — would make a pretty satisfying standalone read, and would offer enough of the back story to keep the reader from missing everything that’s going on. Beyond that point, it starts to get more complicated. If you can get hold of one of the CDs Baen has bound into hardcovers in the series, you’ll have the earlier books available in electronic format, along with a lot of other material, but you’ll still do better starting actually reading the series at the beginning. And it is my intention for there never to be an Honor Harrington novel set earlier than Basilisk Station. That’s a deliberate decision on my part, and I’ve been using shorter fiction in the anthologies to fill in some of those gaps. So it probably wouldn’t hurt to look at some of them — especially “Ms. Midshipwoman Harrington” — to get a feel for how Honor became who she is by the time of Basilisk.

If you’re asking about where someone might begin with my books in general, rather than specifically with the Honorverse, I’d probably recommend In Fury Born. I’m rather partial to the Bahzell books, as well, of course, but I think Fury is still probably the best “David Weber introductory” book I’ve done.

David Weber’s web site:

http://www.davidweber.net/

Stay tuned for more insights from the irrepressible David Weber!

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