Even if you hate the idea of writing an outline or synopsis, you can still figure out a plan to help you finish your novel fast, avoid major revisions, and beat writer’s block forever.
It’s surprisingly easy. Here’s how to do it.
First, turn off your computer and set aside your notebook. For this exercise, you going to need a pack of index cards. Regular old 3 x 5 cards will work just fine.
Wait — index cards? Really?
Yes. It may sound clunky, but writing on small cards actually makes it easier to plan out your story.
With cards, you can throw away or rearrange your ideas instantly. Plus, small cards force you to focus your thoughts. When you only have a few square inches to work with, you need to be succinct, and that boosts your creativity.
Here’s what to do:
1. Get out two cards.
Crack open that brand-new pack of index cards and lay out two crisp, clean cards. Write “Beginning” at the top of one card, and “End” on the other card.
2. Start at the beginning.
Start with the card marked “Beginning.” In one or two sentences, write down what happens at the beginning of your story. Keep it simple.
You’ll want to make your protagonist active and interesting. To do that, begin the sentence with his or her name.
For example, “Dru discovers that the latest customer at her crystal shop is possessed by a demon.”
If you’re not sure how your story should begin, just make something up. (You can always change it later)
Start with a moment of change. For instance:
- The protagonist moves to a new home.
- The protagonist finds something mysterious, such as a diary or dead body. A relationship begins or ends.
- A stranger comes to town.
3. Skip to the end.
Now pick up the card marked “End” and write down the climactic final confrontation of your story.
Again, keep it simple. Just one or two sentences, beginning with the protagonist’s name.
For example, “Dru defeats the Four Horsemen of the Apocalypse.”
If you feel stuck, just write down the character’s name, then a strong verb (finds, delivers, escapes, stops, etc.), and then finish the sentence with whatever badness they’re stopping or escaping from.
4. Brainstorm the middle.
This is the fun part. Count out at least 10 more cards.
Spend a few minutes thinking up obstacles that could prevent your protagonist from reaching the ending. Write each idea down on a separate card.
These obstacles could be physical in nature, such as distance, imprisonment, or forces of nature.
Another idea: your protagonist might want two mutually exclusive things. Or she might be forced to choose between the lesser of two evils.
Obviously, you also want to write at least one card about your bad guys. But don’t forget about your protagonist’s friends and allies, who could want different things, creating even more conflict.
The trick is to do this quickly, off the top of your head. Don’t spend too much time trying to think each idea through, or trying to make it perfect.
Just jot down whatever comes to mind, then set that card aside and move on to the next.
Keep going until you have ideas written down on at least 10 different cards. You want to give your protagonist plenty of problems to solve.
Here are some examples:
- Dru lacks any real magical experience.
- Dru discovers that Greyson’s muscle car has a mind of its own – and it wants to kill.
- Dru starts to fall in love with Greyson, which is forbidden.
- Dru’s best friend, Rane, threatens to kill Greyson to keep the world safe.
5. Stack ‘em up.
Sort through these obstacle cards and place them in order of difficulty, from smallest obstacle to largest. That helps you build rising tension in your story.
Now, take another look at your Beginning card. How does your protagonist get from the start of the story to the first obstacle?
Write a card for that.
For example, “Dru starts researching Greyson’s problem in her magical library.”
Go through your stack of cards one by one, and find ways to connect them. Feel free to rearrange the cards if you need to. Do whatever it takes to give your story a sense of flow from beginning to end.
6. Write it up.
Using your completed stack of cards as a guide, sit down and write a simple outline or synopsis of your story, from beginning to end. It should only take a page or two.
Give yourself permission to write badly. This is just the rough draft, which you’ll throw away later and rewrite. So don’t worry too much about grammar or punctuation.
Just write it all out. Get it out of your head, off the cards, and onto the page. When you finish, you’ll have your entire story clearly laid out, from beginning to end.
Then take a moment to appreciate what a fine job you’ve done. Your entire novel, from beginning to end, is right there in front of you. How amazing is that?
Remember: nothing is carved in stone.
It’s important to stay fluid in how you visualize your story. Don’t feel like it’s all locked down, because it’s not. It will change and improve over time.
You’ll come up with even better ideas later, and when you do, you can buff up your outline or synopsis to match.
It’s your story. Ultimately, you can do whatever you want.
But for the moment, you’re off to a great start. You have a roadmap for success. By figuring out the major beats of your story, you’ve created a solid plan for writing your novel.
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